** Arsonists
AS THE WORLD BURNS
(Matador)
Judiciously resequenced on a
weekend college-radio hip-hop show I picked up driving from Rhode Island to
Boston, the Arsonists' As the World Burns became dizzy and downright
dope. Two lunchroom lyricists taking their mystery-meat heartburn out on each
other (while pounding out a beat by hand on plastic trays) gave way to a weird
waltz-time throwdown with an intro that played Wu-Tang Clan Orientalism as Jim
Carrey slapstick.
But without a DJ providing the editorial slant, this New York crew mostly blow
smoke. Their full-length debut brims with enough redundant raps about
cutthroats and fakers to fill a week of soap-opera sick days when the Soap
Opera Digest version would have sufficed. The equally dispensable
"Underground Vandal" squanders the disc's best beat on a track that name-drops
every indie rapper in New York in the guest-list tradition of Black Star's "B
Boys Will B Boys," Genius's "Labels," and Mary Lou Lord's "His Indie World."
The disc has its boy-wonderish moments, as when "Session" sends shifty jazz
bass down a dark hallway and discovers a taekwon-flowing MC behind every door.
And any time rhyme animal D-Stroy gets near a mike, chest-beating realness
yields to pure nutcracking monkey-house lunacy. Wish the crew's cannons got
loose like that more often.