Percy's faith
Percy Hill are in Bloom
by Don Fluckinger
It would be difficult to get Percy Hill to admit it,
but a strong case can be made that the New Hampshire seacoast band jam to
upscale, '70s-pop grooves, plugging right into the Aja vibe with a
little funk, jazz, and old-style reggae sprinkled on top.
A survey of each member's influences bears this out: lead vocalist/guitarist
Joe Farrell cites Duane Allman as a guitar favorite, and bits of Peter Gabriel
and Donald Fagen can be heard in his singing; keyboard whiz Nate Wilson (who
also plays flute on a few tunes) comes from a soul-jazz perspective, having
been named a New Hampshire all-state jazz musician at 16 and holding up Stevie
Wonder's Innervisions as an inspiration; drummer Aaron Katz cites Pat
Metheny, Santana, and Joni Mitchell as "songwriting influences"; and bassist
John Leccese idolizes Jaco Pastorious, Paul McCartney, and Geddy Lee.
"We're trying take that sort of sound and do something new with it.
. . . I don't see us as a retro band, although we definitely have
those kind of elements," Wilson says. "The instruments that we play, first off,
are all instruments that you'd more or less find in the '70s. My whole keyboard
rig is basically vintage, because that's what I grew up on and that's really
what I hear."
They've done well so far, cranking out four CDs in their five-plus years
together. Percy Hill's current CD, Color in Bloom, finds the band, who
appear this Friday at the Tammany Club, very focused. The CD features beautiful
packaging and some poppy, open-and-shut tunes for the uninitiated fans mixed
with long jam-based tunes for the concert faithful that wants to hear the solo
development of a Percy Hill live show. Mixing it up can be risky, but they've
managed to avoid making a spotty CD -- Color in Bloom is pretty smooth
from beginning to end.
And that's due to the band's current line-up, which Wilson hopes remains a
permanent touring ensemble. Cofounders Farrell and Wilson hired Leccese and
Katz to form a new rhythm section in 1997 after two members left.
It's taken older fans awhile to get used to this edition of the group -- a
more polished groove band with more structured songs -- but overall it's a huge
improvement.
"If you listened to our first CD and then compared it to our latest one, you
probably would not even recognize us," Wilson says. "With a lot of our earlier
stuff, the song is there to give a catalyst to the jam. . . . Our
material has moved more in a song-oriented direction, where songs can stand on
their own as a three-minute song. Anything else we add to it is icing on the
cake. That's not to say that we're a pop band now. I just think there's a lot
more strength in the songs themselves."
They've toured the nation several times, building a fan base by encouraging
taping of shows thus attracting the neo-hippie crowd to gigs. Count Blues
Traveler bassist Bobby Sheehan as a Percy Hill fan -- he jammed with the group
once.
From that jam with Sheehan, an intriguing question arises: did Blues Traveler
rip off an album title from Percy Hill? Here are the facts. Percy Hill came out
with a CD titled Straight On 'Til Morning in 1995, which they gave to
Sheehan after their Portland, Maine, gig together. Just months later, Blues
Traveler came out with a new CD titled Straight On 'Till Morning.
"There's definitely a strong possibility that maybe Bobby lost the CD and
never even knew the name of the album," Wilson admits. But there's also a good
chance that maybe they borrowed it from us. We don't care -- you can't
copyright the name of an album."
He's got a point. After all, Percy Hill stole their band name from ex-bassist
Jeremy Hill's father, Percy. The phrase "straight on till morning" was itself
borrowed from the story of Peter Pan, being the last leg of the trip to
the Neverland. Come to think of it, all bands in this genre rip off song
structure from the Allmans, the Dead, and any number of old rock groups. Still,
even impartial observers must admit it's a curiosity of pop-music lore that may
never be answered.
Percy Hill play at 10 p.m. on February 12 at the Tammany Club with Electric
Blue and the Kozmik Truth. Tickets are $5. Call 791-6550.