Ballard's ballads
Lady sings the jazz
by Don Fluckinger
In her high school yearbook, someone wrote that Toni Ballard would be
successful "if she didn't go in too many directions at once." At the time she
was the editor of the school paper, played French horn in the band, starred in
the school play, and was a member of a dance group.
Decades later, she's achieved success -- and she's still got a lot going on,
performing big-band swing and old standards in Worcester,
hosting/editing/producing WGMC-TV3's Studio 3 live jazz program, and
commuting to Boston for her full-time job as a college publicist. Though she
seems to be headed in many directions, she has one goal in mind: promoting the
local jazz scene.
And let's face it, live jazz isn't always easy to find in Worcester. The jazz
scene here doesn't come close to New Orleans or even the workaday clubs of
Boston with its Scullers and Regattabar. But taking the best of what's here,
Toni Ballard works with it.
This month Ballard begins a series of Thursday-night gigs at Leo's Ristorante,
singing Cole Porter, Irving Berlin, and their ilk with a handpicked group of
accompanists. She's also cranked out almost a hundred shows on Studio 3,
a name she chose that intentionally stayed away from something that screamed
"jazz" -- so that non-jazz artists could participate. Although Ballard would
never say this, having groups like the rocking Sled Dogs and the a cappella
group Vox One gives viewers a break from straight-up jazz and its extended
solos . . . something not always visually exciting as the latest MTV
rock performance video.
She also catches artists passing through town such as Tsidii LeLoka. The South
African singer made her American television debut on Ballard's show; LeLoka
since has moved on to Broadway and earned a Tony nomination for her performance
in the stage production of The Lion King. Yet Ballard says her favorite
taped concert was with musicians from around town: trumpet player Emil Haddad
and pianist Dick Odgren's Jazz at Sunset gig at the New England Science
Center.
"I thought [Studio 3] would be a really good opportunity for artists to
get themselves out there," Ballard says, "so that when they had gigs maybe
people would say, `Oh, I saw them on TV -- let's go see them.'"
Originally filmed in-studio, Studio 3 was the TV equivalent of a blank
slate -- an empty room and a small budget. Ballard, at the time freelancing as
TV3's entertainment reporter, worked barter deals for clothing, artwork, and
sound. A couple years ago, when TV3 designated the set for newscasts, Ballard
could have tossed in the towel and given up. Instead, she's taken the show on
the road, taping on location at Mechanics Hall for the Brown Bag concerts and
at the New England Science Center for its Jazz at Sunset shows.
"[Since] we started doing everything on location, I'd say it's a better show
for it," says Ballard, who praises the architecture, acoustics, and lighting at
Mechanics Hall as perfect for jazz performance. "We've been able to tap into
some great resources in the community." Ironically, as an experiment, the very
first Studio 3 was filmed on location at El Morocco -- a concert at
which Jack Pezanelli recorded a live CD with Dick Johnson on reeds. It went on
to earn a nomination for a "localcableACE" award.
When not showcasing other artists on Studio 3, Ballard works the stage
herself. Last month she opened Old Sturbridge Village's 5th Annual American
Music Concert Series backed by the Steve Rochinski Quartet. Through the years
she's performed with the Nelson Riddle Orchestra, Boston Big Band, and the
Silver Bullet Swing Orchestra. Ballard set up the Sturbridge gig with Rochinski
after hearing his CD Until Further Notice and is planning to record one
of his compositions as well as "Powder Your Face with Sunshine," an old tune
written by Rochinski's grandfather and recently performed on the LA
Confidential soundtrack. Rochinski also will play several Leo's shows with
Ballard.
Last year, her I'm Your Pal CD earned rave reviews and caught the
attention of JazzTimes, the popular, national review magazine. Since
then, Ballard terminated a stormy relationship with her label, Dolphins, and is
working up new standards for her next CD sans recording contract.
Toni Ballard plays Leo's Ristorante on Thursday nights. Call
753-9490.