*** Marah
LET'S CUT THE CRAP AND HOOK UP LATER ON TONIGHT
(Black Dog)
You'd never know it from the twangy, rustic hues of their music or singer
David Bielanko's achy-breaky drawl, but Marah (named after a river in the Book
of Exodus) are from South Philly. Guess it makes sense -- Springsteen's from
the swamps of Jersey, after all. And there are certainly a few nods to vintage
Bruce's verse-spewin', harmonica-blowin' heartland trip here, as well as
gestures toward some of the Boss's extended family of like-minded troubadours:
Steve Earle, Townes Van Zandt, a less-laid back J.J. Cale, and a bar band
covering variations on the Stones' "Country Honk." On their confident debut
from Mississippi alterna-country band Blue Mountain's Black Dog label, Marah
also toss in some unconventional, not entirely successful touches. An exuberant
burst of Beatle-esque Magical Mystery horns opens "Fever," and
dulcimers, xylophone, and bagpipes crash this country-rock party of loose talk,
shambling grooves, and good-timy thrills. I could do without Philly sports
announcer Harry Kalas's cameo intro to "Rain Delay," yet another
baseball-as-metaphor-for-life number, but mostly things get off on the right
foot.
-- Jonathan Perry
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