***1/2 Guitar Wolf
PLANET OF THE WOLVES
(Matador)
At just the moment
you might expect the novelty of Guitar Wolf's no-fi scumbucket greaser rock
& booze revue to wear off, along comes Planet of the Wolves, for
which someone apparently tricked the Japanese threesome into entering a
professional studio. It's also something approaching a greatest-hits package --
both their own (reworkings of past faves "Invader Ace," "Buttobase," and "Kung
Fu Ramone") and other people's (the Stones' "Satisfaction," Link Wray's
"Rumble," the Oblivians' "Motorcycle Leather Boy," and Teengenerate's brilliant
"Let's Get Hurt"). In the past, Guitar Wolf have made a sound like what you
might have caught in 1954 upon hearing rock and roll for the first time -- an
assaultive sound that refused to make sense yet insisted on being heard and
defied you to understand. This time the opening slashing chords announce
themselves as glass-shard sharp as the Stooges, ferocious instead of just
messy. This is the payoff, where what they make sounds like great rock and roll
-- is great rock and roll -- instead of mimicking the confusion and
chaos that often accompanies it.
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