Dino tracks
Dinosaur Jr. get ready to Hand It Over
by Don Fluckinger
Bombastic power-trio guitar distortion eclipsing self-conscious,
half-out-of-tune vocals that range from an under-sung whisper to an overwrought
falsetto. It's a formula that works for many bands (can you say Pavement,
Superchunk, Sebadoh?) who came to national prominence in the past decade via
the underground ranks.
The kids love it because the sound's more brutally honest than the latest
velveteen patter from other so-called "alternative" groups -- especially those
making bags of money from the sales of their pop-chart-topping ditties -- and
the power chords can lull any true rock fan into swinging his or her head to
the big downbeat.
Dinosaur Jr., a power trio led by locally born and bred J Mascis, were one of
the first to play this kind of music in the early to mid 1980s. The group's
raw, compelling pop sounded tres refreshing in the face of the polished,
cookie-cutter glam-metal crap dominating MTV at the time.
Fifteen years later, they're still cranking out album after album. Although
no
one would say that Dinosaur Jr. underwent a huge musical evolution in a decade
and a half, they've been on the scene; the most recent album, Hand It
Over, shows a certain innovation in the arrangements.
Mascis wrote, composed, performed, and produced much of the recording,
working
in a studio at his home near Amherst. The CD features some cool trappings that
add contrast to the moody, expansive sound and accentuate the big, catchy hooks
fans have come to know and love.
Specifically Mascis uses his recently purchased vintage Mellotron as well as
flutes on "Never Bought It" and banjos on "Getting Rough." The trumpet line on
"I'm Insane," a Bach-like classical figure, gives the song a certain
sophistication not often heard from Dinosaur Jr. Of course, if you ask the
rather moody and detached Mascis whether or not his music has progressed, he
demurs.
"I don't know. Depends on who you ask. [When I write music] I'm not really
thinking about progression, I just think about the songs, reflecting on the
period of time I wrote them . . . my musical tastes don't change that
much, and I can't imagine my music would change that much."
This comes from a man who's ridden the music-biz roller coaster through the
proving ground of the small but trendy SST Records and major-label contracts,
MTV videos, and the Lollapalooza tour. Things have slowed a bit since the early
1990s when Warner Bros. released four albums in barely three and a half years
on its Sire imprint (Hand It Over is on Reprise/Blanco Y Negro), and
Mascis says he is contemplating moving the band to another label.
"It seemed better at first because we were at least getting paid," he says.
"All the indie labels we were on never paid us and seemed to be even bigger
criminals than corporations. But it's all different. [At Warner Bros.] you're a
small fish in a big pond . . . our relationship's sort of
degenerated. The company's sort of degenerated on its own. They seem really
jaded and at the same time kinda clueless as to how to sell records."
Mascis does concede, however, that his arrangement with Warner Bros. allows a
certain amount of freedom, including a recent solo album titled Martin and
Me that documents acoustic material he played on a solo tour. He also
appears on the soundtrack of the Alison Anders-directed film Grace of My
Heart, which features Matt Dillon lip-synching his tunes.
For now, Dinosaur Jr. are on a brief (19 date) tour in support of Hand It
Over, stopping in Worcester Friday for a show at WPI Riley Commons. The
venue accommodates about 400 people, and WPI student Social Committee chair
Kris Hallee says that though only WPI students are allowed to buy tickets in
advance, anyone can purchase tickets at the door. He feels certain that it will
not sell out and that there will be tickets left over for the general public.
The WPI show features two opening bands, Piebald and the Wharton Tiers
Ensemble. Those who can't make it to WPI can attend the 18+ show the night
before (Thursday) at Lupo's, in Providence. The Wharton Tiers Ensemble will
also open the Lupo's Show.
Speaking from a hotel room in Lawrence, Kansas (a "big college town in the
middle of nowhere"), Mascis indicated that coming back to Central Massachusetts
will be a welcome change.
"I'm one of the only people I know who likes Worcester," he says. "I can't
really give any tangible reason, but not many people really seem to be into
Worcester. I think it has a certain John Waters quality to it . . . a
demented yet charming quality."
Dinosaur Jr. perform around 8:40 p.m. at Lupo's, in Providence, on
November
6. Tickets are $12. Call (401) 272-5876. They also perform at WPI's Riley
Commons at 10 p.m. on November 7. Tickets are $6. Call 831-5509.