That's Mr. Funky Chicken
Rufus Thomas still has soul
by Mark Edmonds
At a recent celebration of Rufus Thomas's 80th birthday at one of Memphis's
downtown theaters, fans expected the blues and soul stylist -- whose cache of
hits includes "Walkin' the Dog" and "Do the Funky Chicken" -- to show signs of
slowing down. But then, as locals in this city already know, Thomas often fails
to live up to expectations. He usually exceeds them.
Instead of a sleepy tribute, the event crackled with electricity -- much of
it
generated by the guest of honor himself, who arrived early, stayed late, and
spent hours flitting between the stage (where he led his band like a man
possessed) and the theater floor. Afterward, as weary guests slithered into the
night, he took great care to thank everyone who'd bothered to come.
Youngsters were impressed, but for Thomas, it was just another day in the
life
of this self-proclaimed "world's oldest teenager."
He admits, however, the years are finally mellowing him. "I have a stretch of
a few months where, man, I'm way up there. But then, I'll have to take a few
days to come back down," he says. "You may say I'm like a rubber band. I always
snap back. On that, you can count on."
Thomas joins Leon Russell and former Band drummer Levon Helm this Saturday at
the second Framingham Blues Festival. Last year, the event drew nearly a
thousand fans, despite heavy rain.
One of roots-music's seasoned vets, Thomas boasts a career that reaches back
to his teens, when the Saturday-night fare of his hometown's blues joints lured
him from gospel -- he first performed as a tap dancer with the traveling Rabbit
Foot Minstrels tent show, then as the leader of small combos, working jukes and
gin mills throughout the Memphis and Helena, Arkansas area.
In 1951, another facet of his career -- that of radio DJ -- came into play
after he assumed B.B. King's duties on WDIA's Sepia Swing Hour (King
left to tour). Thomas still works the airwaves on the same station every
Saturday.
"I've seen a whole lot of things happen since," he says. "You've had Sam
Cooke, Jackie Wilson, Dinah Washington. I could sit here till tomorrow and tell
you about them. They all made me want to be a part of this music forever. To
me, it's the greatest music in the world."
His 1953 single, "Bear Cat," recorded at Sun Studios after Thomas hooked up
with Sam Phillips, was a sleeper hit. Eight years later, when Stax Records
opened, Thomas and his daughter Carla were among the first local artists to
record there.
In the interim, Thomas had watched while black R&B became white rock and
roll. Jerry Lee Lewis and Elvis adopted its sound, without, as Thomas points
out, "giving black R&B the due it deserved.
"It was this, `If it's white, it's right' thing," he says disdainfully. "Back
then, when a white boy grabbed the music, it took off. But in its own form, it
didn't do much. Pat Boone singing Little Richard's `Tutti Frutti'
. . . he made a hit out of that. Why? Because of that white is right
thing. We've got to tell them different now."
Thomas set out to do that on-air. Meanwhile, he and his daughter Carla would
chart a string of hits for Stax through the '60s -- "Gee Whiz," "B-A-B-Y," and
"Dog" largest among them. By 1970, the Thomases seemed destined for musical
immortality as "Funky Chicken," "Do the Push and Pull," "The World Is Round,"
and a recycled version of "Chicken" (revamped as "Do the Funky Penguin") all
hit pay dirt.
But bankruptcy at Stax derailed their careers; Carla never recorded again,
and
Rufus took to hustling contracts with whatever indie would have him. Over the
next 20 years, he recorded for several labels. But he never matched his
greatest glories at Stax.
But he's close today. Blues Thang! (recently out on the Memphis-based
Sequel label) offers 13 tracks of blues, soul, and R&B grooves. The greasy
rhythms of the three combine with familiar backbeats and variously timed tempos
to create as interesting a project as you're likely to hear this year.
"It was fun all the way to do that," Thomas says. "We just got it set up, and
then it was off to the races."
So is this the secret to long life and happiness? "Hell, yeah," Thomas says.
"You gotta have fun in life. Music to me is fun. You see me, and you'll see how
much fun I have with it. More, I'll bet, than anybody else you ever have!"
Rufus Thomas joins Levon Helm and Leon Russell at the second annual
Framingham Blues Festival on September 27 at Bowditch Field (off Edgell Road),
Framingham. Music runs from 1 to 9 p.m., and general-admission tickets are $10.
Call 897-4663.