*** Gus Gus
POLYDISTORTION
(4AD)
Like a growing number of artists emerging in the brave new world of
abundant samples, easily programmed sequencers, and non-narrative song forms,
Iceland's Gus Gus aren't so much a band as a collective with a taste for
cinematic soundscapes and atmospheric cold fusions of funk and dream pop. In
fact, the group's musical endeavors evolved out of collaborative filmmaking
projects. (Gus Gus count three filmmakers, an actor, and two actresses in their
line-up, leaving only two guys who list "musician" as their primary
occupation.) Not that being a musician has ever been a prerequisite for playing
music.
On Polydistortion, the group's debut, eerie, icy textures dominate the
cool, sensual mix of dance beats, flowing synths, and distant vocals. This is
the softer side of electronica, miles from the aggro assaults of the Nine Inch
Nails crowd or the cluttered cut-and-paste jobs of DJs like Shadow and the
Ninja Tune folks. Occasionally it's a little too softly soporific, like the
Cocteau Twins at their dreamiest without the gorgeous, spiraling vocals, or an
abstract soundtrack without the film. But you gotta love the logic of a band
from Iceland making music to chill out to.
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