Caspar Brötzmann
MUTE MASSAKER
(Thirsty Ear)
Guitarist
Caspar, son of evil saxophone improviser Peter, stays close to the tree. Like
his pop, he's got a problem with melody and dares you to make something of it
by hurling nasty clouds of blurred, roaring sound at'cha. Here the focus is on
tonality. All six of these instrumental trio pieces -- with drummer Robert
Dämmig and bassist Ottmar Seum -- plumb a rich-textured low-end spectrum,
presumably achieved by rolling the tone knobs back on his guitar and the volume
knob up on his amp. Because they tend to lack melodic form, these improvs sound
like the kind of noodling Hendrix used to do in concert as segues. Which, at
times, is pretty exciting stuff. Especially for listeners with an ear for pure
sonics. In particular, "Pearl of Utah" and "Rain" offer tasty celebrations of
feedback-drenched sustain's ability to slide through different harmonic
overtones. "Woodstock Hymne," which closes the disc, seems like the only
composed piece, thanks to Brötzmann's variations on a small handful of
melody and Seum's drive. Not for the weak-hearted.
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