Richard Buckner
THE HILL
(Overcoat)
Like any good troubadour,
Richard Buckner has had a peripatetic life in the music business. After a debut
release on a small Texas label, Buckner was swallowed up in the mid '90s by
MCA, which may have been anxious to capitalize on the burgeoning Americana
scene. Unsure of what to do with this long-haired loner who seemed more at home
in the indie scene than on the AAA charts, MCA let Buckner loose after two
critically acclaimed albums. Following a two-year hiatus, Buckner's back with
The Hill, a musical rendering of Edgar Lee Masters's Spoon River
Anthology -- a long-form poem from a somewhat neglected American poet (who
was, in a sense, an alt-folkie in his own era) that gives brief, yet vivid,
life to 244 inhabitants of a small Illinois town. Buckner's chosen 18 of
Masters's portraits to assemble his own scrapbook of back-porch tales that
detail the yearning, doubt, and deliverance of small-town life at the turn of
the 20th century. Calexico/Giant Sand-men Joey Burns and John Convertino pitch
in on an album dominated by acoustic guitar and spare percussion. The
understated arrangements, coupled with Buckner's plaintive delivery, complement
Masters's unrhymed narrative poetry remarkably well. And as bowed cello, banjo
twangs, and touches of electric guitar emerge from the mix, The Hill
takes shape as a vital and moving contribution to the American songbook.
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