*** Issi Rozen
HOMELAND BLUES
(Brownstone)
First there's guitarist
Rozen's limpid tone, which seems at one with his articulation: the way he gets
from note to note. Then there's the kind of self-generating improvised lines
that have been the hallmark of all superb jazz players, from Armstrong and
Reinhardt to Rollins and Metheny. Rozen's material, and his band, are with him
every step of the way. That's why a Coltrane-inspired standard like Hammerstein
& Romberg's "Softly, as in a Morning Sunrise" is as fresh as a daisy, chock
full of rhythmic excitement.
On this, his second Brownstone CD, Tel Aviv-Brookline transplant Rozen moves
more in the direction of combining musical elements from home with "world" jazz
forms. Traditional melodies like "Shir Hanoded" get American jazz's harmonic
reach. Rozen creates similarly inventive fusions in originals like
"Mediterranean Samba" and "Late Night Waltz," and in the rhythmic complexities
of the title track, where drummer Harvey Wirht's triplets drive the theme. It's
a good deal: Rozen and fellow Israeli pianist Gilad Barkan indulge their
nostalgia, and everybody in the band, including Wirht and bassist Dave
Smallwood has, as Steve Lacy calls jazz pieces, "something to dig on."
(The Issi Rozen quartet plays the Phoenix/FNX Jazz Series at the
Hatch Shell this Sunday, August 6, at 5 p.m. Call 450-8651.)
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