Death do they impart
Static-X play that evil disco
by Chris Kanaracus
Riding one of the heaviest
crests in metal's current, popular wave is Los Angeles's Static-X, an
electronica-tinged four-piece who call their Prong/ Ministry/White Zombie-ish sound "evil
disco."
It's a good metaphor. Wisconsin Death Trip (Warner Bros.), the group's
debut album, is a seamless, pummeling, and intensely danceable neo-industrial
groove. Since its release in March 1999, Static-X hit the road in support, and
they have yet to stop. In fact, the band have performed in Worcester several
times already, whether opening for fellow new-metal stars Fear Factory or as
part of last summer's massive Locobazooka blowout.
The latest installment of Static-X's love affair with Wo-town happens this
Saturday, at the Palladium, when they'll share the stage with Powerman 5000.
They're not quite at headlining status yet, but the crowds Static-X are
playing to get bigger all the time. But, Ken Jay says, their heady rise to
success hasn't come at the expense of their modesty, volunteering that the
foursome knows their "shit stinks like everybody else's."
Jay's sentiments don't seem facetious. The group's fanclub Web site regularly
features his "Tour Diary": lengthy, rambling, highly personal (and surprisingly
PG-rated) accounts of the band's life on the road. The group make it a point to
visit with fans after every concert, not at staged meet-and-greet sessions, but
outside the tour bus or in the alley behind the club.
Oh, and they can play, too. Their set at Locobazooka last year was a seething,
adrenaline-filled affair that energized a noon-time crowd, one already a bit
withered from the day's unusually hot weather. But their 40-minute set wasn't
simply invigorating: it was exactly like the record, almost eerily so.
Jay is pragmatic about his band's apparent rejection of improvisation and
variety of any sort. "Up until maybe two years ago, it was hard enough to get
people to come and see us for free. And if they do, you've still got to give it
your best effort. But a paid show? People are coming to hear what they've heard
on the radio. . . . You've got to give them a great
show."
A steady, year-plus string of gigs like that have paid off for the group. Rock
stations nationwide snapped up Wisconsin's first two singles, "Bled for
Days" and "Push It," like starving men. MTV hasn't been shy either, featuring
both videos in its heavy rotation.
Jay and his bandmates cultivated their work ethic long ago. Although he
co-founded Static-X with singer/guitarist Wayne Static in 1994, the two
longtime friends did so after a 10-year spell in Chicago's underground metal
scene. One of Static and Jay's ventures included the Goth-bent Deep Blue Dream,
which briefly sported the services of Billy Corgan, of the Smashing Pumpkins.
San Diego's Tony Campos (who had spent years cranking out basslines in a
series of death-metal acts) and Koichi Fukuda, a Japanese transplant interested
in electronica, rounded out the group shortly after Jay and Static's arrival in
California. Countless local shows and dogged grassroots promotional efforts
later got Static-X a tidy Warner Bros. contract and to where they are today.
Chances are they won't be headed anywhere but up, especially in this
metal-friendly, pop-music climate. Radio and MTV willing, there are at least a
few more hits within the surprisingly well-rounded Wisconsin Death Trip,
which takes its unusual name from the title of a photo series concerning
the assorted demises of the residents of a small Wisconsin town. "Love Dump," a
touching ode to a messy relationship, is endearingly, head-thumpingly
abrasive.
Most of the album's other track's follow a similar lead. Only the closing
"December" forgoes aggro for emo, with layered, clean-toned guitar parts,
crooned (rather than gurgled/screamed), reverby vocals, and steroid-free
drums.
For the most part, though, WDT covers rather familiar territory, which
Jay freely admits. "There's no doubt, no doubt at all that we're heavily
influenced by Ministry, Prong, groups like that. We grew up listening to and
loving bands like that. I'd like to think we give it our own spin, though. I
mean, we beat these songs to death before we released them."
But a great, if grueling, year aside, Jay says, he and his friends -- much
like their music -- aren't close to slowing down. "We know this is our one
chance, and if we fail, we don't want to have anybody but ourselves to blame.
We've been working toward this for our entire lives, and we're not going to
screw it up."
Static-X appear at 7 p.m. on February 19 at the Palladium. Tickets are $20.
Call 797-9696.