*** Deutsche Kammerakademie Neuss
E.T.A. HOFFMANN: ARLEQUIN BALLET, OVERTURES
(Arsis)
The great German Romantic writer E.T.A. Hoffmann composed
music as well as the short stories and novels for which he's famous -- in his
own time, in fact, he was also famous as a music critic, one esteemed by no
less than Beethoven. Now, almost two centuries later, German record labels are
finally beginning to take up his case. For all his devotion to Mozart (he
changed his third given name, Wilhelm, to Amadeus), you won't do him any favors
by playing his Das Kreuz an der Ostsee ("The Cross on the Baltic")
Overture immediately after, say, the Overture to Don Giovanni -- an
undiscovered genius he's not. But like his literary alter ego, the conductor
Johannes Kreisler, he's just quirky and original enough to be worth a listen.
This new release offers music from four stage works: the opera Das Kreuz an
der Ostsee, the ballet Arlequin, the opera Der Trank der
Unsterblichkeit ("The Drink of Immortality"), and the singspiel Liebe
und Eifersucht ("Love and Jealousy"). Mostly Hoffmann looks back to the
likes of Gluck, Haydn, and Mozart, but there are anticipations of Bruckner in
the wind chorale of Das Kreuz's sinfonia and Wagner in the "March of the
Teutonic Knights," and the 20 short, picturesque selections that make up the
Arlequin ballet look ahead to Schumann's Papillons and
Carnaval. The more spontaneous writing in the overtures from Der
Trank der Unsterblichkeit and Liebe und Eifersucht even conjures
briefly Mozart's comic operas.
Hoffmann is also represented on disc by recordings of his piano sonatas (cpo),
his Miserere and Symphony in E-flat (Koch/Schwann), and his operas
Aurora (Bayer Records) and Undine (Bayer Records, Koch/Schwann,
and Living Stage). This cpo release is generously annotated, but the back cover
gives it a different title ("Music for the Stage") and provides inaccurate
track information, and though Caspar David Friedrich is a fine choice for any
Hoffmann CD booklet, you'd think cpo would have selected Friedrich's The
Cross on the Baltic rather than the unrelated Mountain Landscape with
Rainbow.
(See Jeffrey's review of a new translation of Hoffmann's novel
The Life and Opinions of the Tomcat Murr.)
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