Mad City
Costa Gavras's urban thriller, a retread of Billy Wilder's 1951 film noir An
Ace in the Hole, stars the ubiquitous John Travolta as Sam Baily, an
ex-museum guard gone postal. As Sam locks the exits and takes his boss (Blythe
Danner) and a group of school children hostage, he unwittingly traps freelance
news anchor Max Brackett (Dustin Hoffman) inside with them. Since Max still
wears a live feed, he cleverly turns the situation into a news exclusive, aided
by a nubile intern (a bland Mia Kirshner). As Max maneuvers his camera and mike
to get his job back at the network, Sam benignly waves a sawed-off shotgun and
tries to get his job back.
So what happens when an average joe with a gun is suddenly made a media
sensation by a fast-talking media goon? Gunman and newsman bond, and the TV
viewers practically fall in love with Sam. But when a wily veteran anchor (a
letter-perfect Alan Alda) decides to settle an old score with Max, Sam watches
in horror as TV coverage of his plight turns nasty. The excellent cast is
helped along by Gavras's well-paced direction and a screenplay that, though
weakly echoing the plot of Dog Day Afternoon, goes a long way toward
indicting our cultural addiction to a biased and corrupt medium.
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