*** High Llamas
SNOWBUG
(V2)
Snowbug is warmer and more
substantial than you might expect from an outfit that called its last album
Cold and Bouncy. Since their seminal Gideon Gaye, Sean O'Hagan's
High Llamas have flaunted a quirky Beach Boys fetish that Brian Wilson cultists
may appreciate but that has rendered much of the band's material too precious
and stylized. Snowbug, however, sounds less like the bastard son of
Pet Sounds and more like a touchy-feely cousin of Stereolab's 1997 album
Dots and Loops (to which O'Hagan contributed instrumental arrangements).
O'Hagan seems intent less on paying tribute to Brian Wilson's mad genius than
on establishing his own voice as an obsessive pop savant. More than ever, he's
trusting his own instincts, especially on the buoyant, catchy "Cookie Bay,"
where sophisticated vocal harmonies are supported by a strange brew of plucked
banjos, backward cymbal crashes, and synthetic marimbas. The disc's reliance on
the electro-organic sound of analog synths gives each song a similar
retro-futurist feel, but it's one that belongs to O'Hagan, not to the past.
-- Jared White
|