'Lost' boys
Head-tripping with Bear Foot Republic
by Joe Longone
A cassette single ("Out" b/w "Lost") and an appearance on the local compilation
Union Station (also "Out") made me a fan of Bear Foot Republic's music,
but it wasn't until a media event at the Tammany Club this spring that I caught
up with the group.
Paul Dagnello (guitar/vocals), Frank Inangelo (drums), and Mark Rice (bass) are
friendly and unassuming. A recent conversation with them at the Boynton made me
realize just how young these musicians actually are. Their fresh attitude and
honest enthusiasm won me over.
They're only in their early 20s (Rice is the oldest at 23), so naturally the
guys' conversation still touches upon their high-school days. Dagnello and
Inangelo met about five years ago while they were students at St. Peter-Marian.
"I was jamming, playing drums, with a kid who played bass," Inangelo explains.
"I knew Paul, and I knew he played guitar, so I asked him to join us."
Rice adds, "I was going to Burncoat at that time, but got to know Paul and
Frank through some friends. The three of us actually jammed together years ago.
When Bear Foot Republic needed a new bass player, I was there."
The years of practice and involvement in a number of faceless school bands
made them ready to attack the clubs. The fact that one of Dagnello's and
Inangelo's longtime St. Peter-Marian pals, Duncan Arsenault, had already
established a name for himself with the Curtain Society didn't hurt the group's
start. When Arsenault became Bear Foot Republic's manager, the trio started
appearing everywhere.
Their sound is perfect for head-tripping, but maybe not for everyone. "We
haven't gone over too well where people like to slam dance. I believe you don't
have to beat up the person next to you to show your appreciation for the
music," Dagnello says.
"We need more people who want to see a live band for its music. It's hard for
a live band when most people want to go out and pay to hear a recording of the
Spice Girls."
Their previously released efforts were brilliant. "Out" is a confident,
hypnotic trance that muscles you with its sonic power and dramatic flair.
"Lost," which came out soon after, is magnificent. Dagnello's great performance
lingers between detachment and pain. The song's accompaniment is big, bad, and
unrelenting in its conviction.
Dagnello is amazed by the way some of his songs are realized by the group.
"You have this song in your head, and you bring it others who've never heard
it. We start working on it, and finally everything meets together -- it's a
great feeling," he says.
The group have a new tape out with five originals. Both "Out" and "Lost" make
an appearance, but they have been re-recorded and sound as good as past
versions. The others are good recordings but are missing the strength and
individuality of "Out" and "Lost." The three rely too heavily on the Cobain
formula of whisper-and-scream dynamics.
Recording quality, however, is topnotch (Curtain Society's Roger Lavallee
produced at Tremelo Lounge). "For four days we basically locked ourselves in
and just did it," says Inangelo.
The tape will be available at all Bear Foot Republic shows. The band plan to
release a CD, but they're in no hurry. "We're slowly putting out more material
as our fan base grows. It would be foolish for us to release a CD before we
have an audience willing to buy it," says Dagnello.
Catch Bear Foot Republic next when they appear on September 20 at the Space
with Say Hi to Lisa and Runaway Brain.
More Marley
It's great to see all-ages showcases succeeding in bringing in large
crowds every week. Marley's, open for just several months, is already looking
to expand its schedule. Starting on September 6, the Grafton non-alcoholic club
will be open on Saturday nights.