Bill Charlap Trio
WRITTEN IN THE STARS
(Blue Note)
Pianist Charlap
plays all standards -- which on the face of it is a concession to the status
quo. But on the other -- just listen to this guy. He opens with some
Bill Evans-impressionist chords, a phrase of tumbling Monk whole tones followed
by equally Monkish broken chords, then the low-register opening of Cole
Porter's "In the Still of the Night" and then a high-end run into the bridge.
There's variety like this in each of the CD's 11 tracks, but it never sounds
merely showy. Charlap's been credited with thinking like a singer, but no one
would sing the lyrics to these songs with his rubato attack. And yet every move
he makes reinforces the overall melody and shape of the song.
Maybe that's because he never leaves the original melody far behind -- it's
always there in his recurring conversational paraphrases. Maybe it's his voice
leading -- the harmonic underpinning of those long arcs of song is so sure that
he can leave a note hanging indefinitely without letting the tensile strength
of the composition go slack. And maybe it's the way his trio mates -- bassist
Peter Washington and his brother, drummer Kenny -- stay with him. (Listen to
the way Peter adds another finger to Charlap's left hand in "Blue Skies.") Or
maybe it's Charlap's deathless lyricism -- the brooding urbanity of Harold
Arlen and Ira Gershwin's "The Man that Got Away," the city night-sky
romanticism of the Arlen/Leo Robin title track.
(The Bill Charlap Trio, with Peter Washington and drummer Dennis Mackrel,
play Scullers next Thursday, January 25. Call 562-4111.)
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