The Pets
LOVE AND WAR
(Endearing)
Canada has long been a bastion
of the kind of wired AM-style pop that brings to mind sugar-high-riding kids
like Sloan, the Flashing Lights, the Salteens, and Thrush Hermit. And the
Winnipeg indie label Endearing has been a haven for this sort of stuff,
providing a genre-specific stamp of quality for bubblegum-chewing lovers of
melody-heavy pop that's equal part fizz and fuzz.
Endearing's latest entry is the Pets, a foursome of epic-minded pop-collagist
Frankensteins from Steinbach, Manitoba, who assembled this stunner of a debut
entirely on their computer hard drives. They then fired off a CD-R of their
creation to a couple of Winnipeg campus radio stations, and Love and War
went to #1 locally, landing the group a deal. The album is an audacious tour de
force bursting with vibrant, loosely conceptual pop songs that, like the Olivia
Tremor Control's Dusk at Cubist Castle, weave together elements of
swirling psychedelia, cut-and-paste found sound, and prog-rock arrangements.
Tongue-in-cheek candlelight pledges ("A Lighthearted Lovesong") give way to
Beatlesque tales of escape and discovery ("Sunshine Shining," "On to You") and
only half-kidding meditations on life and death and, uh, love and war (the
10-minute closer, "Welcome to the End of the World", includes snippets of
machine-gun fire and newscast reports of carnage à la Simon and
Garfunkel's "7 O'Clock News/Silent Night").
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